日期 Date
15:00-18:00 2019.12.08

地點 Location
臺灣當代文化實驗場 共享吧102室
R102 Coworking Space, C-Lab

主持人 Moderator
阮慶岳（元智大學藝術與設計系教授）
Ching-Yueh Roan (Professor at the Department of Art and Design, Yuan Ze University)

與談人 Speaker
林洲民（台北市都發局長2014-2018）
Jou-Min Lin (Commissioner of the Department of Urban Development, Taipei City Government 2014-2018)

呂欽文（建築師）
Ching-Wen Lu (Architect)

崔廣宇（當代藝術家）
Kuang-Yu Tsui (Artist)

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主辦 Organizer
空總台灣當代文化實驗場
Taiwan Contemporary Culture Lab

　　這是一場砲火猛烈的論壇，之後引起了台灣文化部的關注。空總作為一個文化實驗園區是長久以來藝術圈寄予厚望的場域，然而作為直屬文化部的單位同時身兼管理者與資源分配的角色同樣也招致許多爭議，座落於首都蛋黃區的文化場域卻有著不確定的未來，在外界無法清楚得知其發展方向的情況下，這場論壇意外地成為一個導引。

　　幾位建築師以個人專業，包含過去曾經參與這塊土地的規劃經歷，分別從都市計畫在政策與推動的角度，對文化實驗園區在這裡發生的歷程、重要性與可能性提出個人的問題與建議。而我則是根據過去台北華山藝文特區失敗的歷史經驗，以藝術家身份做出提醒，這個場域雖然表面上將來會是個真正的文化園區，然而從各種條件來看，無論是政策與人事異動，變數依然相當大，藝術圈不能只是盲目支持，必須透過行動持續關注與監督。

　　This was a heated discussion forum, which later attracted the attention of the Ministry of Culture of Taiwan. As a cultural experimental park, the art circle has had high hopes in the Taiwan Contemporary Culture Lab for a long time. However, being a division directly under the Ministry of Culture’s supervision, it also played a role in resource allocation and management, which also caused a lot of controversies. Located in the center of the capital, C-Lab has an uncertain future. With the outside world unable to clearly understand its development direction, this forum has unexpectedly become a catalyst.

　　Several architects contribute with their personal expertise, including past experience from participating in the planning of this site. They put forward personal questions and suggestions from the perspective of urban planning in policy and promotion, about the history, importance, and possibility of the cultural experiment park. As an artist, I offer reminders based on the historical experience of the failure of Huashan Arts and Culture District in the past. Although on the surface the site will appear to be a real cultural park in the future, nevertheless, looking at the conditions from various perspectives there are still many variables, whether these are changes in policies or personnel. The art circle should not offer blind support, but instead, continue to pay attention and monitor through actions.